I wake in the night, to find you on my mind, deep in a dream, youll always be , till the end of time. I look in your eyes, they touch my soul, my love is hard to hide, I'm never alone , when were apart, I feel you by my side. And here in my heart, where no one else will ever be, I know who you are, so lock the door, and throw away the key. chorus: save all your love, save your love for me, when Im alone at night, your all I see. Oooooh I wake from a dream, and see you by my side, how could I belong to someone else when holding you feels sooo right? and here in my heart, where no one else will ever be, weve made it so far, soo lock the door, and throw away the key yeah! chorus: save all your love, save your love for me, when Im alone at night, your all I see! save all your love, save your love for me, dont turn your back on me, your all I need! I know who you are, weve come so far, so baby stay with me yeah! chorus: save all your love, save your love for me, when Im alone at night, your all I see! save all your love, save your love for me, dont turn your back on me, your all I need,["echo"] save your love, baby save all your love, save all your love, save all your love, save it , save it,save it, save all your love.
Outside my window theres a Whole lot of trouble comin The cartoon killers and the Rag cover clones Stack heels kickin rhythm Of social circumcision Cant close the closet on Shoe box full of bones
Kangaroo lady with her bourbon in a pouch Cant afford the rental on a bamboo couch Collecting back her favors cause her well is running dry I know her act is terminal, But she aint gonna die
Slim intoxicado drinkin dime store hooch Is always in a circle with his part-time pooch Little creepys playing dollies in the New York rain Thinkin Bowies just a knife Ooh the pain
I aint seen the sun since I dont know when The freaks come out at nine And its twenty to ten Whats this funk That you call junk To me its just monkey business
Blind man in the vox that will probably die The village kids laugh as they walk by A psycho is on the edge of this human garbage dump And the vultures in the sewers are telling Him to jump
Into the fire from the frying pan Tripping on his tounge For a cool place to stand Wheres this shade That youve got it made To me its just monkey business
Monkey business Slippin on the track Monkey business Jungle in black Aint your business if I got No monkey on my back
Monkey business Slippin on the track Monkey business Jungle in black Aint your business If I got Monkeys on my back
The vaseline gypsies and silicone souls Dressed to the society Hypocrite heartbeat and cheap alibis Cant get you by that monkey
After this year's Rock and Roll Hall of Fame induction ceremony, it's safe to say that both band members and fans alike have effectively closed to book on the classic era of Guns N' Roses.
Earlier this week, drummer Steven Adler said that he had moved on, remarking on lead singer Axl Roses, "I have no desire to know him or work with him or do anything with him again."
Now, Slash is the latest ex-Gun to echo those sentiments.
"My whole thing was that I really, in my heart of hearts, wanted to have the whole original band get together and actually perform," Slash toldRolling Stone, "which I sort of knew was wishful thinking. When the whole thing first came up, that’s basically what I wanted to do. It became apparent that that wasn’t going to happen. I was like, ;Oh fuck,' and I was sort of disillusioned with the whole thing, but there was that commitment that was sort of made that I was going to go, and I thought Axl was still going to go, and it wasn’t until the last minute that I heard that he wasn’t coming, and that’s when we all decided we were just going to go ahead and play anyway."
He cotninued, "Early on, when it was probably more confusing than necessary, I have to admit, I was like, 'Oh fuck, I don’t really want to go to this if we’re not going to play,' though I never said, 'No, I’m not going to go.' But it was sort of a black cloud for a few months there. Before that I thought we were just going to show up and not play, which is what I was resigned to.
He’s the longtime lead guitarist of Bon Jovi and has a collection of 135 guitars. But what Guitar World readers really want to know is…
I loved Bon Jovi’s country-flavored hit single “Who Says You Can’t Go Home” [from 2005’s Have a Nice Day] and was wondering if the band would ever consider doing a full album of country songs. —Lori Lennon
A full country album? No, I don’t think so. But as those words leave my mouth, I should add that the one thing I’ve learned in this business is to never say “never.” Hey, the Rolling Stones have had a country vibe in a lot of their songs, but somehow they always manage to sound like the Stones. So if we ever did something again that fit into the country genre, I’d want to make sure we were being true to ourselves. There might be a song or two down the line, but I don’t think we’d ever do a full country album—we’re a rock band.
You have an incredible guitar collection. With so many to choose from, how do you decide which guitar to play on any given song? —The Tank
Well, Tank, when you’ve got 135 guitars, it can be a problem. When we tour, I don’t bring a lot of my expensive, vintage guitars out with me, ’cause I’m afraid they’ll get stolen. Leave a 1959 sunburst Les Paul in a hotel room? I don’t think so! [laughs] Basically, I have my ESP Richie Sambora signature model, which is very versatile soundwise. I have a bunch of those. Then I have some Strats, a few Teles, some Les Pauls and Les Paul Juniors. My general attitude is, “whatever fits the song.” The vintage stuff I’ll use in the studio, but there’s certain pieces I’ll never take on tour. Why take the risk?
I really like the solo you do in the new song “Bullet” [from Bon Jovi’s 2009 album, The Circle]. What kind of wah-wah pedal do you use on it? Did you try recording a version without the wah? —Steven Koles
I’m glad you liked that one. I used a regular Dunlop Cry Baby wah, right out of the store. I think I did try a pass without it, but it didn’t sound quite right. I put the wah-wah on to give it a bit of a sonic lift, some added dimension. Generally, I try not to go too crazy with effects, especially a wah, which can sound kind of redundant if you’re relying on it all the time. Use effects sparingly, I say, the same way a chef uses spices.
What do you think of Jon Bon Jovi’s skills on the guitar? Is he just a simple strummer, or is he capable of busting out a mind-blowing solo? —Kenny Griffen
Jon’s been getting better on the guitar. Over the past couple of years, he’s really been working on his technique. He never really played any leads until the last tour, and now he’s at the point where the two of us are even doing a couple of dual-lead solos onstage. He’s always been a terrific rhythm guitar player—very underrated, too, if you ask me.
On your first solo album, Stranger in This Town, Eric Clapton played on the song “Mr. Bluesman.” Did you feel at all intimidated to work with him? —Hannah Smith
No, I wasn’t afraid at all. I’ve been fortunate to play with a few of my heroes, and Eric is one of them. He’s a very gracious man, very humble, and he never tries to be intimidating. When I was cutting that song, he was playing at the Royal Albert Hall in London, so I went to him so he could record his part. He came down to the studio and blew out a great solo. Afterward, we went to the show together. It turned out to be a great day and evening.
BIOGRAPHY Graham Russell & Russell Hitchcock met on May 12, 1975, the first day of rehearsals for "Jesus Christ Superstar" in Sydney, Australia; they became instant friends with their common love for The Beatles and, of course, singing.
After the shows' performances at 10:30, they would play pizza parlors, coffee bars and night clubs with just one guitar and two voices. They quickly gained a reputation for great harmonies and for original songs that Graham was constantly writing. They made a demo on a cassette of two songs, "Love and Other Bruises" and "If You Knew Me" and took it to every record company in Sydney. Everyone turned it down but one — CBS Records — who admired their unique style.
They made a single in one afternoon and it shot to number one on the national charts. Air Supply was born! That same year, they opened for Rod Stewart across Australia and then throughout the U.S. and Canada playing all of the famous huge venues before Rod would take the stage. They found new fans, but did not break the U.S. market.
Back in Australia they had to start again and made a record called Life Support. On this record were some treasures of songs, including "Lost in Love" which went Top 10 in Australia and somehow found its way to music industry executive Clive Davis in New York.
Clive immediately signed Air Supply to Arista Records and in 1980, "Lost in Love" became the fastest selling single in the world, leaping to the top of all of the charts. Now Air Supply was on their way. The second single was "All Out of Love," and that went up the charts even quicker.
Seven top-five singles later, Air Supply at that time had equaled The Beatles' run of consecutive top five singles. The albums Lost in Love, The One That You Love,Now & Forever, and The Greatest Hits sold in excess of 20 million copies. "Lost in Love" was named Song of the Year in 1980, and, with the other singles, sold more than 10 million copies.
The trademark sound of Russell Hitchcock's soaring tenor voice and Graham Russell's simple yet majestic songs created a unique sound that would forever be known as Air Supply.
However, it is the live shows that always hold audiences captive around the world. They were the first Western group to tour China, Taiwan, and countless other countries that before would not allow pop music across their borders. In 1983 they recorded "Making Love Out Of Nothing At All" by Jim Steinman which solidified the group as a permanent force in modern music. This song was released on The Greatest Hits album which soared past 7 million copies.
"Lost in Love", "All Out of Love", "The One That You Love", "Sweet Dreams", and "Making Love Out Of Nothing At All" have each achieved multi-million plays on the radio.
In 1986 the group's music was still playing endlessly on radio. That same year, Graham was married to actress Jodi Varble from Rochelle, Illinois, who also was his leading lady in the video for "Making Love Out Of Nothing At All."
Air Supply began to tour with lavish productions in places that no one had been before. In South America and Asia they became a part of everyone's life. In 1988, Air Supply was asked to participate in Australia's bicentennial celebration and to play for HRH Prince Charles and HRH Princess Diana, where they learned both were already ardent fans. This engagement would be one of their most treasured moments in their career.
In 1989, they recorded "The Earth Is" album selling over a million copies outside of the U.S. This album was followed by "The Vanishing Race" CD and, with the singles "Goodbye" and "It's Never Too Late", again saw multi-platinum success. The following albums, "News from Nowhere", "Yours Truly", and "Across the Concrete Sky" all gave their second greatest hits album multi-platinum status as they traveled the world each and every year.
In 2000, a new production company was founded to be devoted to Air Supply's entire future product, called A Nice Pear, which gave them complete creative control.
In July 2005, their live DVD, "It Was 30 Years Ago Today" celebrated 30 years of success around the world and in that same month, Air Supply smashed attendance records when, in Cuba, at one show they played to 175,000 people. Also 2005 saw the release of "The Singer and the Song", an acoustic album of many of their big hits which received critical acclaim.
In May 2010, the long-awaited album, "Mumbo Jumbo" –also the duo's first studio recording in eight years- was released. Recorded at Graham Russell's home studio near Park City, Utah and at Odds On's state of the art facilities in Las Vegas with top session musicians and an orchestra, "Mumbo Jumbo" was produced by Russell and engineered by Odds On's Sean O'Dwyer, whose credits include Pink Floyd, Randy Newman and Blink-182. Among the 14-tracks, released by Odds On's label, was the first single "Dance With Me," which earned Air Supply a prominent feature article in Billboard Magazine titled "Still Supplying The Hits After 35 Years."
Just weeks after composer and vocalist Graham Russell was honored with a BMI Million-Air
Certificate recognizing 3 million performances of the duo's hit "All Out Of Love," Air Supply's new song was the #1 most added track on the FMQB AC40 Chart, and also one of the most added on the R&R (Radio and Records) AC Chart and the Mediabase AC chart.
In 2011, the duo continues to play more than 150 shows a year worldwide, including stops in England, Ireland, Israel, Philippines, Korea, Japan, Canada, the U.S. and beyond.
Currently, we just finished filming our live Jerusalem, Israel show for a new DVD that will be out later this year. The DVD will feature two new songs, "Sanctuary" and "Everywhere." "Sanctuary" will be released as a single on iTunes by October, 2011.
The wise man said just walk this way To the dawn of the light The wind will blow into your face As the years pass you by Hear this voice from deep inside It's the call of your heart Close your eyes and your will find The passage out of the dark Here I am Will you send me an angel Here I am In the land of the morning star The wise man said just find your place In the eye of the storm Seek the roses along the way Just beware of the thorns Here I am Will you send me an angel Here I am In the land of the morning star The wise man said just raise your hand And reach out for the spell Find the door to the promised land Just believe in yourself Hear this voice from deep inside It's the call of your heart Close your eyes and your will find The way out of the dark Here I am Will you send me an angel Here I am In the land of the morning star Here I am Will you send me an angel Here I am In the land of the morning star Here I am Will you send me an angel Here I am In the land of the morning star Here I am Will you send me an angel Here I am In the land of the morning star
When I look into your eyes I can see a love restrained But darlin' when I hold you, don't you know I feel the same? yeah Nothin' lasts forever and we both know hearts can change And it's hard to hold a candle in the cold November rain
We've been through this such a long long time Just tryin' to kill the pain, ooh yeah But lovers always come and lovers always go An' no one's really sure who's lettin' go today, walking away
And if we take the time to lay it on the line I could rest my head just knowin' that you were mine, all mine So if you want to love me then darlin' don't refrain Or I'll just end up walkin' in the cold November rain
Do you need some time on your own? Do you need some time all alone? Everybody needs some time on their own Don't you know you need some time all alone?
I know it's hard to keep an open heart When even friends seem out to harm you But if you could heal the broken heart Wouldn't time be out to charm you?
Sometimes I need some time on my own Sometimes I need some time all alone Everybody needs some time on their own Don't you know you need some time all alone
And when your fears subside and shadows still remain, oh yeah I know that you can love me when there's no one left to blame So never mind the darkness we still can find a way Nothin' lasts forever even cold November rain
Don't ya think that you need somebody? Don't ya think that you need someone? Everybody needs somebody You're not the only one, you're not the only one
Don't ya think that you need somebody? Don't ya think that you need someone? Everybody needs somebody You're not the only one, you're not the only one
Don't ya think that you need somebody? Don't ya think that you need someone? Everybody needs somebody You're not the only one, you're not the only one
Don't ya think that you need somebody? Don't ya think that you need someone? Everybody needs somebody
An angel’s smile is what you sell You promise me heaven, then put me through hell Chains of love got a hold on me When passion’s a prison, you can’t break free You’re a loaded gun There’s nowhere to run No one can save me The damage is done Chorus: Shot through the heart And you’re to blame You give love a bad name I play my part and you play your game You give love a bad name You give love a bad name Paint your smile on your lips Blood red nails on your fingertips A school boy’s dream, you act so shy Your very first kiss was your first kiss goodbye You’re a loaded gun There’s nowhere to run No one can save me The damage is done
When there's a dark storm on your horizon And you think you can't get through it Just put your hand in my hand And I'll show you how to do it When the future looks uncertain You can count on me to be there And when your heart and soul are hurtin' Just look and you'll see me there Just follow where I lead I'll give you what you need A love that's always true And someone who believes in you So when you're searching for that rainbow I will help you find it And when a mountain stands before you I will help you climb it Just follow where I lead I'll give you what you need A love that's always true And someone who believes in you It's time to come alive, your moment has arrived [ From: http://www.elyrics.net/read/a/air-supply-lyrics/someone-who-believes-in-you-lyrics.html] I'll bring out the best in you We can have it all, no, we will never fall Looking down from our celestial view Just follow where I lead I'll give you what you need And I'll tell you something else You'll start believing in yourself It's an easy thing to do When you have someone who believes in you Just follow where I lead I'll give you what you need And I'll tell you something else You'll start believing in yourself It's an easy thing to do When you have someone who believes in you Someone who believes Someone who believes I'm someone who believes And you've got someone who believes in you
Since I was born they couldn't hold me down Another misfit kid, another burned-out town Never played by the rules I never really cared My nasty reputation takes me everywhere I look and see it's not only me So many others have stood where I stand We are the young so raise your hands They call us problem child We spend our lives on trial We walk an endless mile We are the youth gone wild We stand and we won't fall We're the one and one for all The writing's on the wall We are the youth gone wild Boss screamin' in my ear about who I'm supposed to be Getcha a 3-piece Wall Street smile and son you'll look just like me I said "Hey man, there's something that you oughta know. I tell ya Park Avenue leads to Skid Row." I look and see it's not only me We're standin' tall ain't never a doubt We are the young, so shout it out They call us problem child We spend our lives on trial We walk an endless mile We are the youth gone wild We stand and we won't fall We're the one and one for all The writing's on the wall We are the youth gone wild They call us problem child We spend our lives on trial We walk an endless mile We are the youth gone wild We stand and we won't fall We're the one and one for all The writing's on the wall We are the youth gone wild We are the youth gone wild
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